Exclusive double vinyl album with music by Michel Banabila used in ballet and dance works by Yin Yue for Pennsylvania Ballet, Patrick O' Brien for CUNY Dance Initiative, Conny Janssen for Conny Janssen Danst, and Annabelle Lopez Ochoa for San Francisco Ballet & BJM Danse.
These 180g teal & gold colored records are housed in a matte varnish printed hardback gatefold cover and full color printed inner sleeves with many photos from some of the shows.
Includes unlimited streaming of Movements (music for dance)
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
A1 - DRAGONFLY II
Original soundtrack for the choreography 'A Trace of Inevitability'
by Yin Yue with Pennsylvania Ballet, in accordance with Yin Yue Dance Company & Pennsylvania Ballet.
This music was commissioned by Pennsylvania Ballet and premiered at 'World Premieres 2019' in the Merriam Theater, Philadelphia, USA, November 7th, 2019.
Musicians on Dragonfly II:
Peter Hollo: cello
Gareth Davis: bass clarinet
Oene van Geel: viola & stroh violin
Gulli Gudmundsson: el. bass, double bass & e-bow
Michel Banabila: midi instruments, sampling, electronics
PATRICK O’ BRIEN for CUNY DANCE INITIATIVE:
B1 - ILLICIT ACQUIREMENT
Composed for the choreography 'Enough' by Patrick O’Brien with Patrick O’Brien Dance Collective.
This music was commissioned by Patrick O’Brien with support from CUNY Dance Initiative and premiered in LaGuardia Performing Arts Center, New York, USA, November 14th, 2019.
CONNY JANSSEN for CONNY JANSSEN DANST:
C1 - CROWDS (Big Data Poetry Mix)
Was originally created for Big Data Poetry, an audio visual live performance by Geert Mul & Michel Banabila and was used in the choreography 'Home' by Conny Janssen for Conny Janssen Danst with
Michel Banabila & Maarten Vos, and premiered in the Rotterdamse Schouwburg, Rotterdam, NL, January 20th, 2017.
C2 - I WON’T PLAY YOUR GAME
C3 - GUERRILLA TACTICS
C4 - NEW ENERGY FORMS
Were commissioned by Conny Janssen Danst for the choreography
'Zout' by Conny Janssen with Conny Janssen Danst & Anne Soldaat and premiered in the Rotterdamse Schouwburg, Rotterdam, NL, February 13th, 2011.
ANNABELLE LOPEZ OCHOA for SAN FRANCISCO BALLET and BJM DANSE MONTREAL
D1 - JUMP CUTS II
Was created for 'Guernica' in accordance with Annabelle Lopez Ochoa Company & San Francisco Ballet and premiered in the War Memorial Opera House, San Francisco, USA, April 24th, 2018.
D2 - A STRONG SENSE OF URGENCY
Was used in the choreography 'Zip Zap Zoom' by Annabelle Lopez Ochoa, in accordance with Annabelle Lopez Ochoa Company & BJM Danse. Zip Zap Zoom premiered in San Diego CA, USA, October 18th, 2009.
quotes / reviews
These eight tracks represent a decade of Banabila’s career - ‘Dragonfly II’ and ‘Illicit Acquirement’ premiered barely a month before 'Movements (Music For Dance)' came out while closing number ‘A Strong Sense of Urgency’ dates from 2009. When heard in this light it becomes fascinating to chart the development of Banabila’s practice across these ten years. The earlier pieces are concerned more purely with rhythm, channelling a cinematic sense of foreboding through driving drumlines that verge on techno at times. Vatican Shadow is not a million miles away, though the dance context inevitably gives tracks like ‘Crowds (Big Data Poetry Mix)’ a bit more of a high-art feel.
While this sound remains in the recent work, Banabila’s touch has become more deft of late. This is apparent from before you even put ‘Dragonfly II’ and ‘Illicit Acquirement’ on - both tracks are afforded a whole side of wax here, their length a testament to Banabila’s widened scope. While they do eventually blossom into driving groove-based music - ‘Illicit Acquirement’ has a cool Venetian Snares-type thing going on - their opening passages are characterised by a hitherto-unheard lack of drums. There’s both Penguin Cafe and Steve Reich to ‘Dragonfly II’s nimble-fingered string work, and ‘Illicit Acquirement’ begins with some of the most abstracted sounds on 'Movements (Music For Dance)'. Banabila executes both moves expertly, successfully broadening his sonic palette without sacrificing the emotion and muscularity of those earlier compositions. (Fred MG)
If one thing is clear from his 37-year musical career it’s the fact that it’s hard to pinpoint Banabila‘s music into one single style or genre. Incorporating world music influences with theatrical scores, jazz, voice samples – on to much more abstract experimental music, neo-classical … and all things in-between. It takes an open mind to follow him everywhere he goes. If you listen carefully, you cán hear a certain style and recognize Banabila’s music immediately. He’s built his own genre.
Theatrical performers, as well as documentary and television directors, have always recognized the power of his music. Movements is a stunning demonstration of works that were specifically created for dance performances over the years. In a way, it is also a compilation of Banabila’s most powerful works: many fragments and samples are taken from his previous works. But it is not simply a compilation of previously released tracks: the works are re-composed, restructured and refragmented to build new compositions to fit the demands of the choreographers for their performances.
The four sides of (the double vinyl edition of) Movements are each dedicated to a specific choreographer: Yin Yue (Pennsylvania Ballet), Patrick O’Brian (CUNY Dance Initiative), Conny Janssen (Conny Janssen Danst) and Annabelle Lopez Ochoa (BJM Danse).
The music presented on Movements is hardly comparable to his experimental electronic works in dialogue with Machinefabriek, or his orchestral works in Uprooted earlier this year. This is very physical music. It only takes Dragonfly II, the piece on side A, to acknowledge this: opening with shifting sounds, showing his influence from Steve Reich, it intensifies into a dervish-like percussion frenzy that is guaranteed to make your palms sweat.
The same goes for most of the other pieces: starting slow but gradually luring you into an inevitable and inescapable climax. Illicit Acquirement (on side B) starts peacefully and keeps up a slow pace for most of its 19 minutes – apart from the accelerating end sequence. Crowds (featured in the Big Data Poetry Mix here) must be one of Banabila’s most intense works ever: the constant presence of the sound of a protesting crowd indicates the times are changing, but will it bring freedom or will it bring doom?
The physical edition of Movements is a luxurious heavyweight vinyl double album: the hardback gatefold cover and inner sleeves, holding the 180g teal & gold marble colored vinyl, showing images of the dance productions this music was created for. This limited-edition is definitely worth chasing if you’re into vinyl, but will probably sell out quickly (at the time of writing there are still some copies available at Norman Records (Europe) and Squidco (US). But after that there’s still the digital download to enjoy.
For those that already knew Michel Banabila‘s work, no further proof of his musical capabilities is needed. But for those that were not yet familiar, or for choreographers, movie and stage directors looking for a sound artist this is a great sample of the power of his commissioned work. I have no doubt that this will be continued in the future. (Peter Van Cooten)
released December 25, 2019
All tracks composed, performed & produced by Michel Banabila.
Design: Yasar Saka / YAY Music & Media.
Front cover photo: Deberían Permitir (Buenos Aires, 2012)
by Mista Stagga Lee under CC 2.0 license
Back photo Yin Yue: Arian Molina Soca.
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