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WIth Orphaned Loop [Disquiet 0473 - Placebo Effect 2 of 3]

from Disquiet Junto by Michel Banabila

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The Assignment: Record the second third of a trio that others will complete.

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0472). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind. Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by 68 musicians in all to choose from, 62 as part of this playlist:

soundcloud.com/disquiet/sets/disquiet-junto-project-0472

(Note that it’s possible another track or two will pop up in or disappear from that playlist. Things are fluid on the internet.)

Count as the 63rd this track from RPLKTR:

soundcloud.com/rplktr/disquiet-0472-jam-time-1-of-3/s-ABJKYjr9Pvx

And count as the 64th this track from Jason Richardson:

llllllll.co/t/disquiet-junto-project-0472-jam-time/40425/3?u=disquiet

And count as the 65th this track from Pineyb:

llllllll.co/t/disquiet-junto-project-0472-jam-time/40425/59?u=disquiet

And count as the 66th this track from Sevenism:

sevenism.bandcamp.com/track/ymist

And count as the 67th this track from Chris Ledwidge:

llllllll.co/t/disquiet-junto-project-0472-jam-time/40425/64?u=disquiet

And count as the 68th this track from Hardworking Families:

hardworkingfamilies.bandcamp.com/track/corn-pop-disquiet0472

To select a track, you can listen through all that and choose one, or you can use a random number generator to select a number from 1 to 68, the first 62 being numbered in the above SoundCloud playlist, and 62-68 being the ones linked to above.

Note: It’s fine if more than one person uses the same original track as the basis for their piece.

It is strongly encouraged that you look through the discussion on the Lines forum, because many tracks include additional contextual information there:

llllllll.co/t/disquiet-junto-project-0472-jam-time/

Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, don’t alter the original piece of music at all, except to pan the original fully to the left if it hasn’t been panned left already. In your finished audio track, your new part should be panned fully to the right. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it will be used by someone else in a subsequent Junto project.

Step 5: You can contribute more than one track this week. Usually Junto projects have a one-track-per-participant limit. You can do up to two total. For the second, it’s appreciated if you try to work with a solo that no one else has used yet ( look at the project’s post on Lines, linked to in these instructions, or to the project playlist, which will be posted here once tracks start coming in). The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. After a lot of detailed instruction, that is the spirit of this project.

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from Disquiet Junto, released August 4, 2013

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Michel Banabila Rotterdam, Netherlands

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